It’s raining today, so it’s a good time to stay inside and listen to some music. I’ve been discovering some new music that I like for the first time in… well, a while. They say (who says?) that your ability to discover and appreciate new music goes down as you age, so I suppose that that’s a good sign. I’ve been looking for ambient music that can help me to concentrate on tasks—something that I can tune out, but that has enough of a beat and good harmony that it keeps me going. Something atmospheric—not in the “lounging in a private spa” sense, but in that it creates a good atmosphere for me to get things done. Here’s some of what I’ve found, just because it’s a sharing kind of day.
Tycho, a project led by San Francisco-based musician Scott Hansen, is what I’m listening to right now, particularly the new album Awake. I’ve had it on for the past little while as I smash my keyboard in search new ways of making websites look pretty. Also new to the playlist is Bonobo, or British musician Simon Green, based in Brighton, UK. What I’ve heard from him is more down-tempo and perhaps a little darker than Tycho, yet still rhythmic and very enjoyable. From the other side of the pond (i.e. the Pacific Ocean) hails another recent addition to my collection, DJ Okawari of Shizuoka, Japan, who bills himself as a “representative artist of Japanese jazz hiphop”, a genre fostered by Tokyo-based Seba Jun or Nujabes, whose music has also been doing the rounds on the playlist lately. These last two have a distinct harmony of their own that I would call characteristically Japanese: lighter, brighter and even a little more conducive to introspection, if that makes sense—almost as if you were having an intimate conversation with a trusted friend.
Besides being good work music, I would put all of the above on a travel or road-trip mixtape, or even just rainy-day music to help you chill out on a gloomy, overcast day. They’re definitely all relaxing and ambient, so they fit perfectly into that side of my music collection. Most of them have been active since the late 2000s, so I don’t know if I’m really right to call any of them “new” artists—but new to me is good enough for now.